PAK 


va COLLECTION 


OperHe EATE UNITED; STATES 


EXCEPT THE PORTIONS WILLED TO THE 


CORCORAN GALLERY OF ART 
WASHINGTON, D. C 


fee PAINTINGS OF THE 
mh. FRENCH, DUTCH & 
AMERICAN MASTERS 


e SOLD AT UNRESTRICTED PUBLIC SALE 
a IN THE GRAND BALLROOM OF 


AN : ART. ASSOCIATION - INC. 


FREE PUBLIC EXHIBITION ON THE PREMISES 
1 EAST 771H STREET » NEW YORK 


From Thursday, January 7,1926, Until Time 
| of Sale » Weekdays g a.m. to 5 p.m. 


UNRESTRICTED PUBLIC SALE 
By Order of the Executors 


On Monday and Tuesday Evenings, January 


iimande i 2, at 8:30 o clock 


To be held in the Grand Ballroom of the 
ieeetiotel, Fifth Ave., 58th to 59th Street 


Sale to be Conducted By Mr. H. H. Parke 


AMERICAN ART ASSOCIATION: INC. 


MANAGERS 


oy 


ONE HUNDRED AND ONE FRENCH 
ENGLISH » DUTCH AND AMERICAN 
CANVASES 


Collected by the Late 
Senator W. A. CLARK 
and Hung in His Famous 
Fifth Avenue Galleries at 
77th Street » New York 


Exhibition and Sale Under the Management of the 


AMERICAN ART ASSOCIATION, INC. 


MADISON AVENUE - 56¢h to 57¢h STREET 
New York 


1926 


AS 


CONDITIONS OF SALE 


I. REJECTION OF BIDS: Any bid which is not commensurate with 
the value of the article offered, or which is merely a nominal or fractional 
advance, may be rejected by the auctioneer if in his judgment such bid would 
be likely to affect the sale injuriously. 


_ Il. THE BUYER: The highest bidder shall be the buyer, and if any 
dispute arises between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 


III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
buyer of each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part 
of the purchase prices as may be required. 

If the two foregoing conditions are not complied with, the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 


IV. RISK AFTER PURCHASE: Title passes upon the fall of the 
auctioneer’s hammer, and thereafter the property is at the purchaser’s risk, 
and neither the consignor nor the Association is responsible for the loss of, 
or any damage to any article by theft, fire, breakage, however occasioned, or 
any other cause whatsoever. 


V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
made only upon payment of the total amount due for all purchases at the sale. 


VI. RECEIPTED BILLS: Goods will only be delivered on presentation 
of a receipted bill. A receipted bill presented by any person will be recog- 
nized and honored as an order by the buyer, directing the delivery to the 
bearer of the goods described thereon. If a receipted bill is lost before 
delivery of the property has been taken, the buyer should immediately notify 
the Association of such loss. 


VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
CALLING FOR GOODS: Articles not paid for in full and not called for by 
the purchaser or agent by noon of the day following that of the sale may 
be turned over by the Association to some carter to be carried to and stored 
in some warehouse until the time of the delivery therefrom to the pur- 
chaser, and the cost of such cartage and storage and any other charges will 
be charged against the purchaser and the risk of loss or damage occasioned 
by such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by 
noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation in these conditions of sale notwith- 
standing, in respect to any or all lots included in the purchase bill, at its or 
his option, either to cancel the sale thereof or to re-sell the same at public 
or private sale without further notice for the account of the buyer and to 
hold the buyer responsible for any deficiency and all losses and expenses sus- 
tained in so doing. 


VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
ness in which the Association is in no wise engaged, but the Association will, 


however, afford to purchasers every facility for employing at current and 
reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged 
for such service. 


LX. GUARANTY: The Association exercises great care to catalogue 
every lot correctly and endeavors therein and also at the actual time of sale 
to point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description, genu- 
ineness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold “‘as is” and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy expert 
to the effect that any lot has been incorrectly catalogued and in its judg- 
ment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might 
result were his opinion without foundation. 


X. RECORDS: The records of the auctioneer and the Association are 
in all cases to be considered final and the highest bid shall in all cases be 
accepted by both buyer and seller as the value against which all claims for 
losses or damage shall lie. 


XI. BUYING ON ORDER: Buying or bidding by the Association for 
responsible parties on orders transmitted to it by mail, telegraph, or tele- 
phone, if conditions permit, will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing condi- 
tions of sale, except that, in the event of a purchase of a lot of one or more 
books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will 
be refunded, if the lot differs from its catalogue description. 

Orders for execution by the Association should be given with such clear- 
ness as to leave no room for misunderstanding. Not only should the lot num- 
ber be given, but also the title, and bids should be stated to be so much for 
the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sent or 
reference submitted. Shipping directions should also be given. 


PRICED CATALOGUES: Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at charges commensurate with 
the duties involved in copying the necessary information from the records of 
the Association. 

These conditions of sale cannot be altered except by the auctioneer or 
by an officer of the Association. 


AMERICAN ART ASSOCIATION, Inc. 


OTTO BERNET ManaGERS 
HIRAM H. PARKE 
AUCTIONEERS 


AN AP TERIA NS aces 


BORO NITED STATES AND STATE TAX 
Pee NCE AND OTHER PURPOSES 
CATALOGUES OF PRIVATE COLLECTIONS 


0 APPRAISALS. The American Art Association, Inc., 
will furnish appraisements, made by experts under its direct 
supervision, of art and literary property, jewelry and all 
personal effects, in the settlement of estates, for inheritance 
tax, insurance and other purposes. 


CATALOGUES. The Association is prepared to suppie- 
ment this appraisal work by making catalogues of private 
libraries, of the contents of homes or of entire estates, such 
catalogues to be modeled after the fine and intelligently 
produced Sales catalogues of the Association. 


Upon request the Association will furnish the names of 
many Trust and Insurance Companies, Executors, Admin- 
istrators, Trustees, Attorneys and private individuals for 
whom the Association has made appraisements which not 
only have been entirely satisfactory to them, but have been 
accepted by the United States Estate Tax Bureau, the 
State Tax Commission and others in interest. 


The AMERICAN ART ASSOCIATION +7 INC. 
MADISON AVENUE, 56ru to 57TH STREET 


Neew York (ity 


| 
+ 
f 


INTRODUCTION 


the great art collection of the late Senator W. A. Clark 

of Montana, it is necessary to point out what many people 
have not wholly understood, that the Senator willed to the 
Corcoran Gallery of Art at Washington one hundred and 
twenty-five of his paintings, the Corcoran Gallery to make its 
choice of the collection after accepting, as specified in the late 
Senator’s will, the Corots, Cazins, and Monticellis. This left 
in his collection about one hundred fine paintings, the owner- 
ship of which remained in his estate and which are offered 
at absolute and unrestricted public sale by the American 
Association, Incorporated, under the arrangement and direc- 
tion of Miss Rose H. Lorenz. 

These paintings include some of the finest of the collec- 
tion, owing to the necessities under which a museum labors in 
selecting additions for its galleries with a view always to its 
previous and present possessions. ‘Those fortunate persons, 
therefore, who during Senator Clark’s lifetime had the privi- 
lege of viewing the galleries in his mansion in Fifth Avenue 
at Seventy-seventh Street, will here find representative groups 
of his Old Masters, of the English portraits and landscapes, 
of the Barbizon men, of famous Dutchmen, and of American 
artists, which fascinated the beholders on those afternoons 
when the Senator received his friends and those whom he re- 
garded as admirers of these choice works of art. 

There are here, for example (not too much to repeat the 
catalogue), a “Pastoral” by Boucher, “Festal Villagers” by 
Teniers, “Landscape and Figures” by John Crome, “Land- 
scape and Figure,” “The Covered Wagon” and “Landscape 
and Cattle” by Gainsborough, “Flatford Mills” by Constable, 
paintings by Inness, Wyant, Murphy and Whistler, by Bes- 
nard, Dupré, Rousseau, Daubigny, Diaz, 'Troyon, Lhermitte, 
Ziem, Thaulow, Mauve and Van Marcke. 


[° introducing this assemblage of splendid objects from 


There are also drawings by the Old Masters, fine Gothic, 
Oushak and Ispahan rugs, articles of furniture, some thirty 
pieces of fine lace including specimens of point de Venise, some 
solid silver chancel lamps, billiard room furnishings, a part of 
the Senator’s library, his specially made table silver—in de- 
signs in keeping with his Renaissance dining room—and the 
exquisite jardiniere and Genoese velvet that lined many of the 
walls of the house. 

Dana H. Carport. 


New York, November, 1925. 


FIRST EVENING’S SALE 


Pee ANUARY 11, 1926, AT 8:15 P.M. 


Bematoewc Numbers t to 54 inclusive 


SPECIAL NOTICE 
THESE PAINTINGS AFTER EXHIBITION AT 
No. 1 EAST 777H STREET 
WILL BE SOLD 
IN THE GRAND BALLROOM OF 
He ePRAZA HOTEL 


Fiera Avenue, Firry-EIGHTH To FIFTY-NiINTH STREET 


JOSE Y GIL BENLLIURE 
Spaniso: 1855— 


1—HOUSE IN NAPLES 

Height, 634 inches; width, 41/2 mches 
Tu subject is a typical house in the poorer quarter. Around 
the open doorway a group of children are playing; to the left 
is a barrel, and to the right a chicken coop. From a window 


above hangs a piece of bright fabric, and flowering plants are 
on the window ledge. | 


Signed at the right, J. BenuiuRE, NAPOLEs. 


From the William H. Stewart Collection, New York, 1898; Catalogue 
No. 81. 


M. PERRER 


SPANISH: 


2—-UNGARISCHER MARKET: BANAT 
Height, 5°4 inches; length, 1144 inches 


A Hunearian market scene with numerous figures, horses 
and carts; in the background various cottages; the figures, 
whether mounted, in the carts, or lying on the ground, in 
colorful costumes. 

Signed lower left, PERRER. 


M. PERRER 


SPANISH 


OUTSIDE THE TENTS 
Height, 6 inches; length, 121 inches 


3 


TrNts rise one beside the other and overtopping each other, 
across the background, with haystacks at right. In the fore- 
eround horses, detached from their wagons, are tied, and many 
men and women in the picturesque garb of peasantry stand 
gossiping or dickering about a market wagon. 


Signed lower left, Prrrer. 


CHARLES FRANCOIS DAUBIGNY 
FreNcH: 1817—1878 


4 SOLITUDE, WITH NEIGHBORS 
Height, 7 inches; length, 1214 inches 


Woops on the right in the middle distance throw into shadow 
a stream, coursing irregularly opposite them, and horses ap- 
pear resting within the shadow. On the left and in the distance 
sunshine brings into relief a shore on which occasional cabins 
are seen, a few trees, and at the water’s edge women with the 
family washing. 

Signed lower right, Daunieny, and dated 1851. 


ALEXANDRE GABRIEL DECAMPS 
Frencu: 1803—1860 


5—CLASSICAL SCENERY 
( Panel) 
Height, 81% inches; length, 10% inches 


Bryonp a dark foreground, in which subdued lights appear 
from a dark greenish-blue sky that shows warm lights above 
the horizon, a blue lake with blue mountains beyond it. Close 
in the foreground a dark pool, and in the middle distance the 
ruins of a portal. From the left comes a maiden in red, carry- 
ing a jar on her head. 


Collection of Godfroy von Preyer, Vienna. 


CHARLES EMILE JACQUE 
Frencu: 1813—1894 


6—SHHEP NEAR WOODS 
Height, 51% inches; length, 9 inches 


On a sunny greensward two sheep stand in the foreground, 
one nibbling the grass near some wild flowers, the other look- 
ing over its shoulder. On a knoll another sheep grazes, and 
back in the shadow of some dense trees which form the back- 
eround other sheep are detected. 


Signed at the lower left, Cu. Jacque. 


Collection of F. B. Swann. 
Purchased from M. Knoedler & Company, 1896. 


JOSEPH MALLORD WILLIAM TURNER, N.A. 


EncusH: 1775—1851 


7—DOVER: BUSY PORT 
(Water Color) 
Height, 1114 inches; length, 161% inches 


On the right a high hill and another in the background, both 
with fortifications, protecting a town; in middle distance a 
glimpse of blue water and shipping, with more shipping below 
the right-hand hill; in the foreground and all about, many 
people—men, women and children—most of them busy at 
various occupations. Soft but brilliant colors. 


LEON AUGUSTIN LHERMITTE 


Frencuo: 1844— 


8S—NUREMBERG OPEN MARKET 
(Charcoal Drawing) 
Height, 1914 inches; width, 17 mches 


AN open place filled with benches supporting vegetables and 
other things, some uncovered, others protected by large um- 
brellas, and attended by an old woman in picturesque garb. 


Signed lower left, L. Luermirtz, NurEMBERG. 


BIRKET FOSTER 
EneutsH: 1825—1901 
9—HAYING TIME 
(Gouache) 
Height, 1114 inches; length, 1534 inches 
Frevps bathed in sunlight under a bright and billowing sky; 
in the right middle distance the trunk of a great tree, and in 
the foreground near it a young woman seated on the ground, 
facing left, her arm about a child seated next and beyond her. 
A. man reclines nearby, and in front of her a young girl lies 
prone on her back. Distant workers in the field, toward the 


left. 
Signed lower left, B.F. (monogram). 


Purchased from Arthur Tooth & Sons, 1898. 


LOUIS LE GRAND 
Frencu: 1863— 


10—LA JEUNE DANSEUSE 
(Crayon Drawing) 
Height, 20 inches; width, 164% inches 


Figure of a young girl standing on one foot, facing the left, 
her head bent over and fingers engaged tying a dancing slipper 
on the other foot, which rests on the standing knee; in disha- 
bille, her gown and hat hanging on the wall back of her. 


Signed at the lower center. 


Purchased from Gustave Pellet, Paris, 1912. 


JULES DUPRE 
Frencu: 1811—1889 


11I—CATTLE DRINKING 
(Panel) 


Height, 51 inches; length, 124% inches 


Ar the approach of evening, with much light left in the banks 
of clouds above the horizon, and shadows deepening among 
the trees and bushes, while lingering sunlight flashes across the 
fields, a number of cows have been driven down to a large pool 
in the foreground to drink. ‘Their attendant stands on the 
shore beyond them, 


Signed lower left, Jutes Dupre. 


NARCISSE VIRGILE DIAZ DE LA PENA 
iam sees 1807-1876 


12—LANDSCAPE 
Height, 1114 inches; length, 1724 inches 


Tue edge of a woodland, darkening; a tree leaning from the 
left and its slender trunk crossing a glimpse of the far-away 
sky; light from the left revealing autumnal colors amongst 
the foliage, and boulders in the middle distance. 


Signed lower right, N. Diaz. 


BARTHOLD JONGKIND 
Dutcn: 1819—1891 


13—SK ATING 
Height, 91 inches; length, 1234 inches 


A CANAL, frozen, extends through the picture from the right 
foreground, running slightly to left and curving out of sight 
to the right around a grove of tall trees rising above some 
cottages. On it are a few skaters. To left of it a lone pedes- 
trian comes along the bank, and tall poplars still bearing foli- 
age rise against the winter sky, before a group of houses. 


Signed lower right, JoncKinp, 1865. 


Purchased from Léon Michel Lévy, Paris, 1902.- 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


14—THE DOG FIGHT 
(Panel) 
Height, 9% inches; length, 14 inches 
On a heath showing occasional shrubbery half a dozen boys 


and girls in the open foreground, in two groups, one at either 
side, two of the children holding their dogs and one seeking 


to urge them to fight. 
Signed lower left, N. Draz. 


LEON BONNAT 
Frencu: 1834—1922 


15—A LITTLE ROMAN GIRL 

Height, 21 inches; width, 14 mches 
FULL-LENGTH figure of an Italian peasant child in the custo- 
mary brilliantly colored costume, a white chemise with red 
sleeves and sash, blue petticoat and yellow figured apron. She 
stands, her hands clasped in front of her, facing the spectator, 
in a strong light from the upper side. 


Signed at the lower left, Lx. Bonnar, 1880. 


Purchased from Boussod, Valadon & Co., Paris, 1886. 


From the J. W. Kauffman Collection, New York, 1905; Catalogue | 
No. 12. 


THEODORE ROUSSEAU 


Frencu: 1812—1867 


16—PLOUGHING 
Height, 15 inches; length, 18 mches 


Sxy darkly clouded, with a streak of sunset light along the 
horizon over distant low hills, and the intervening agricultural 
landscape in a subdued light; at left moving toward the fore- 
ground a man ploughing, his gray Percheron supporting bril- 
liant trappings; toward the right a couple, seated. 


On stretcher, Rousseau’s monogram seal. 


Purchased at the D. C. Lyall Sale, New York, 1903; Catalogue No. 52. 


RAIMUNDO DE MADRAZO 


Spaniso: 1841—1920 


17—THE PET PARROT 
Height, 19 inches; width, 15 inches 


A SpanisH beauty, well developed, is seated, figure to right, 
three-quarters front, face in profile to right, playing a guitar 
while she smiling regards an inquisitive white parrot. 


Signed lower left, R. Maprazo. 


Purchased from William H. Stewart Collection, New York, 1898; 
Catalogue No. 26. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


183—NATURE MORTE 
(Panel) 


Height, 1244 inches; width, 11 inches 


A sritz life painting of a bunch of pink roses and other flow- 
ers, in a bright light from the left against a dark background. 


Signed lower left, N. Draz. 


OCTAVE TASSAERT 
Frencu: 1800—1874 


19_BACCH ANTE ET AMOURS: AUTOMNE 
Height, 23 inches; width, 18 inches 


REPosING in an open place in the woods, a bacchante lying 
back on draperies holds a bunch of grapes at her head while 
other fruits lie at her knee before her, and half a dozen playful 
cupids surround her. 

Signed lower right, Tassarrt, 1888. 
Lambert Richards Collection, 1876. 


From Léon Michel Lévy, Paris, 1901. 


EUGENE FROMENTIN 
Frencu: 1820—1876 


20—REVIEW 
Height, 12 mches; length, 18 inches 


A Bepouin, mounted, has ridden up from the left at the head 
of some followers and halted before a personage who with his 
accustomed entourage stands at the right, facing the new- 
comers and appraising their wares—horseflesh or human or 
whatnot. Many persons are seated around, on both sides, in 
the bright sunshine. Bare mountainous background. 


Signed lower right, Euc. FRoMENTIN, e2 


Purchased from René Billotte, Paris, 1903. 


JULIEN DUPRE 
Frencu: 1851—-1910 


21—_THE MILKMAID 
Height, 141% inches; length, 18 inches 


A PEASANT maid in blue, white and black, and wearing a red- 
dish kerchief over her head, comes forward on the left, across 
a cloud-shadowed pasture, carrying on a neck-yoke two large 
pails filled with milk. Cows are in the pasture, and in the 
foreground on the right stands an old white horse. In the 
background a sunlit field. 


Signed lower left, Jutren Dupre. 


Purchased from M. Knoedler & Company. 


CONSTANT TROYON 
Frencu: 1810—1865 


22 LANDSCAPE AND FIGURES 
(Panel) 
Height, 18 inches; width, 14°4 inches 


Art left a cottage, with thatched roof; to center and right a 
background of woods, and in the sunny clearing before the 
cottage two figures, riding, approaching a woman who comes 
out from the cottage. 

At lower left the stamp, VENTE 'TROYON. 


ANTON MAUVE 
Dutcu: 1838—1886 


23—THE AVENUE 
(Water Color) 


Height, 19 inches; length, 13% inches 


STRAIGHT before the spectator extends an alley between slen- 
der trees of sparse foliage, with indications of denser woods at 
left and right, and the sun shining on the sandy way. In mid- 
dle distance, a peasant woman walking away from the ob- 


server. 
Signed at lower right, A. Mauve. 


From Boussod, Valadon & Co. 
From the J. B. Ladd Collection, New York, 1910; Catalogue No. 30, 


PIERRE AUGUSTE BESNARD 
Frencu: 1849— 


24—IL7 ABREUV OI[R 
Height, 19% inches; width, 24 inches 


Syapows toward the close of a summer’s day enclose a re- 
freshing crossing of a stream, where dark red and black cattle 
are seen in the foreground, up to their bellies in the cooling 
water, which back of them reflects the fading light of the sky. 
In the middle of the stream stands a white horse, without 
halter or bridle, drinking, with a small girl seated astride his 
back. On the far side of the stream is a line of white farm 
buildings with dark roofs, their reflections appearing in the 
water. 

Signed lower left, BEsNARD. 


Purchased from M. Knoedler & Company, 189%. 


(pavusag aysnbnp assag fig) 


aIOAN AULy 'T—#G "ON 


ALEXANDER WYANT, N.A. 
American: 1836—1892 


| 25—SUMMER LANDSCAPE 
Height, 16 inches; length, 20 inches 


Ar left and right clumps of small trees, edges of a wood and 
bordering an open stretch of foreground which is lighted by 
a high morning sun, shining through partly dissipated clouds. 
Middle distance a valley, and in the distance blue hills. 


Signed lower right, A. H. Wyant. 


Purchased from the George A. Hearn Collection, New York, 1918; 
Catalogue No. 96. 


CEN “uvk 4 Lapunxayp fig) 
Go “ON 


Ad VOSGNW] WHNWn S 


J. FRANCIS MURPHY, N.A. 


American: 1853—1921 


23—ON THE LOWLANDS 
Height, 16 inches; length, 22 imches 


Tur tawny-greenish expanse of the foreground is interrupted 
by what seems to be three gray boulders. At the right is a 
yellow flowering bush, near which rise three slender trees with 
a little faint purplish-blue foliage at their tops. They are 
separated by a dull red bush from a fourth tree which grows 
at the extreme right. In the distance toward the left are indi- 
cations of pools, reflecting the creamy tones of the curdled 
sky. 

Signed and dated at the lower left, J. Francts Murpuy, 1907. 


From J. C. Evans, New York. 


From the Peter Schemm Collection, New York, 1911; Catalogue 
No. 207. 


CV'N ‘hydinyy siowwry pig) 


SENVIMO'T HHL NQO—9QZ ‘ON 


GEORGE INNESS, N.A. 
AMERICAN: 1825—1894 


or AUTUMN LANDSCAPE 
Height, 18 inches; length, 26 inches 


Ar right in middle distance a group of four trees, beyond a 
green foreground, which is partly shadowed; at left, a little 
farther back, fruit trees in the yellow, and in the indefinite 
background fields and houses in afternoon sunshine under a 
rosy sky. 

Signed lower right, G. Innxss. 


From the Peter A. Schemm Collection, New York, 1911. 


CRN ‘ssauuy absoay fig) 


TAIVOSGNWY] NWOALQW—)zZ ON 


RAPHAEL COLLIN 


FRENCH 


98 AT THE WINDOW: PORTRAIT 
Height, 32 mches; width, 24 mches 


Portrait, three-quarters length, of a fair young lady in sum- 
mer dress of white and pink waist with short sleeves, and wear- 
ing a light hat. She is seated at an open window, leaning 
‘toward her right on a crosspiece and with her face turned 
toward the spectator. Through the window appears a glimpse 
of a green garden. 

Signed lower left, R. Corin, 1894. 


No. 28—Ar THE Winvow: Portrair 
(By Raphaél Collin) 


S. V. E. LEPINE 
Frencu: 1836—1892 


299-VIEW OF PARIS 
Height, 20 inches; length, 3314 inches 


Finiine the foreground a broad river, crossed in the middle 
distance by a bridge of arches, depicts on the left bank nu- 
merous carts and horses in the sunlight, and three horses at- 
tended by a single rider led into the stream to drink; the bank 
lined by a wall, with trees visible above it; on the right, the 
opposite bank rises higher. In the stream a barge with two 
men aboard. 


Signed lower left, L. L&prne. 
Collection Doria. 


Purchased from I. Montaignac, Paris, 1899. 


(awdsT aA ‘gy fg) 
SIUVqd 40 MAIA—6Z ‘ON 


FRITS THAULOW 


Norwecian: 1847—1906 


30—RIVER REFLECTIONS 


Height, 26 inches; length, 31 inches 


A proap river running from the left in the middle distance 
sweeps forward, its breadth spreading beyond the limits of the 
foreground at both sides of the picture. On the farther bank, 
both in the background and on the right, are cottages, with red 
roofs and one of brown thatch. Trees with scant foliage 
appear on both sides of the stream, which reflects their lines and 


the colors of the roofs and of neighboring flowers. 
Signed lower right, Frrrs THauLow. 


FRITS THAULOW 


NorweEcian: 1847—1906 


31—_TOWARD HIS COTTAGE HOME 


Height, 26 inches; length, 31 inches 


From the right, in the distance, a river winds into the picture 
overspreading most of the foreground, leaving within view a 
narrow strip of green shore on the left. On the low and flat 
bank on the right and in the distance is a line of cottages, with 
red and brown roofs, and toward a white cottage in the center 
a man bearing pails on a yoke makes his way. 


Signed lower left, Frrrs Tuavuxiow. 


Purchased from I. Montignac, Paris. 


JEAN FRANCOIS RAFFAELLI 
Frencu: 1850— 


39 STREET IN NEUILLY 
Height, 25 inches; length, 291 inches 


A srreet leads straight away from the eye, narrowing in per- 
spective; a few figures, old and young, are seen, especially in 
the foreground; a white horse before the corner building on 
the right. 


Signed lower right, J. F. Rarrarvu. 


From the American Art Association Sale, New York; Catalogue 
No. 46. 


Purchased from M. Knoedler & Company. 


CONSTANT TROYON 


Frencu: 1810—1865 


3383—LANDSCAPE 
(Study) 


Height, 251% inches; length, 3114 inches 


AL GREEN landscape, in the foreground, broken by mounds of 
trees crossing the picture irregularly; in the distance, lowlands, 
in sun-light under a sky of pale blue with strata of creamy- 
white clouds. 


At lower right the stamp, VENTE Troyon. 


EUGENE FROMENTIN 


Frencn: 1820—1876 


34—_LANDSCAPE AND HORSES 
Height, 2384 inches; length, 3034 inches 


In the background a grove with palm trees, beyond buildings 
of Moorish architecture, on the far side of a shallow stream: 
in the foreground, on both sides of the stream, horses and their 
attendants. 

Signed lower left, Euc. Fromentin. 


Purchased from René Billotte, Paris, 1903. 


THOMAS COUTURE 


Frencu: 1815—1879 


35—_GARDEN SCENE 
Height, 15%4 inches; length, 2314 inches 


Art right the end of a house, rising above the picture limits, 
and in the background and toward the left a garden, beyond a 
wall; on a terrace in the foreground, a man, stooping, and 
utensils of labor. 

Signed left of center, on end of coping, 'T. C. 


Collection of Godfroy von Preyer, Vienna. 


RAPHAEL COLLIN 


Frencu: 1850—1916 


36-—_SE ATED NUDE 
H eight, 26 inches; width, 22 inches 


Figure of a plump young woman, nude, seated on the floor; 
observed in back view; turned slightly to her left, her face seen 
nearly in profile over her left shoulder; both hands reaching 
to her head, her long hair falling before her. 


Signed lower left, R. Cotuin, 1901. 


Direct from the Artist. 


FERDINAND ROYBET 
Frencu: 1840—1920 


37—THEH DRINKER 
Height, 36 inches; width, 28 inches 


A LARGE man, bearded and wearing a great black hat, loose 
white ruff and a rich and elaborate costume, is portrayed at 
three-quarters length, to left, three-quarters front. In his 
right hand he holds his glass resting on his knee. 


Signed upper left, F. Royset, °75. 


WILLIAM KEITH 


American: 1889—1914 


383 THE MAJESTY OF THE OAKS 
Height, 34 inches; length, 60 mches 


- Tus is a glade in a large forest of oak trees whose interlacing 
branches and heavy foliage entirely cover the sky in the top of 
the picture and cast a strong but luminous shade over the fore- 
eround. In the middle distance cows are feeding in a small 
meadow, through which flows a narrow, winding brook, and 
extending out of the picture in the foreground. Here and 
there the sunshine strikes warmly upon the huge tree-trunks 
and spreading branches, making strong contrasts against the 
deep surounding tones of the shadows. Beyond the herd of 
cattle is a glimpse of a hazy distance, and through the tree- 
tops are seen a lumimous cloud and a small area of soft-toned 
sky. 

Signed at the lower right, Wn. Kerru, 1892, 8.F. 


From the Irving M. Scott Collection, 1906; Catalogue No. 55. 


yney wom fg) 
SVQ HHL dO AISACV, THT —ge ‘on 


ALBERT BIERSTADT 


American: 18380—1902 


39—DEER WOODS NEAR LAKE ONEIDA 
Height, 3014 inches; length, 441 inches 


Woops crimson and gold in autumn, with reliefs of some trees 
which have retained green leafage, surround a lake, and through 
an arch of foliage which spans an open foreground its waters 
are seen in a haze and lighted by a distant sun. At the edge of 
the water are a stag and two does. 


Signed lower right, A. BrersTavt. 
Purchased in 1884. 


(posing quaquy fg) 


VdIINQ ANv] UVAIN SGOOMA AAAQ—EGE ‘oO N 


JEAN P. HAAG 
Frencu: 1870— 


40-—THE LITTLE PROTEGE 
Height, 37 inches; length, 50 inches 


Ixrerior of a comfortable Old World living-room, with tile 
floor, lighted from an unseen window at the right. Dog and 
cat beside a table set for a light meal, at the right, before a 
doorway leading to a stairway. A child sits at the table, an- 
other stands next it, beside a young woman who is strewing 
crumbs on the floor for some chicks who cluster at her feet. 
At left in the background an aged woman sits before the great 
fireplace and looks on; near her, a spinning wheel. 


Signed lower right, Haac, 1885. 


(600 ‘qd war fg) 
TULLOUG ATLLUYT IAT —oOpF ‘on 


JOSE Y GIL BENLLIURE 


Spaniso: 1855— 


41—CHRISTMAS EVE, 
CHURCH OF ALMERIA, SPAIN 


Height, 3314 inches; length, 59 inches 


Ix cathedral surroundings, with illumination of candles, 
people of various ranks in life are depicted in worshipful anti- 
cipation of a feast, happy and sober, and variously moved by 
religious enthusiasm. In strong light in the center are acolytes 
and an orchestra of enthusiastic musicians, led by an aged 
man fanatically in earnest, the boys singing by note, or pre- 
tending to read the music. Around are seated the motley 
throng of worshipers, with others standing, or kneeling at left 
before a chancel grill or screen within which the altar lights 
are brilliant and a mass is being celebrated. 


Signed lower right, J. BENLLIURE. 


Purchased from the George I. Seney Sale, New York, 18995, Catalogue 
No. 302. 


(aumyuag py fh assor fig) 


Nivdg ‘VIdaWIy 10 HOMNHD “AAG SVNISIUHQ—[p ‘ON 


ALEXANDRE DECAMPS 


Frencu: 1803—1860 


42—HORSEMEN UNDER THE WALLS 
Height, 29 inches; length, 3914 inches 


In the background a far landscape of hills under a brilliant 
blue sky, in middle distance a mass of creamy buildings, pro- 
jecting from the left, villas with gardens, with more trees and 
high walls, all in sunshine, and this side of the nearest wall 
horsemen, with helmets and plumes, riding briskly toward the 
right, where figures are observed in calm conversation. In the 
foreground, in partial shadow of tall trees at the left, two or 
three bucolic figures are seen, one of whom bends over to drink 


at a winding stream. 
| Signed lower left, DEcAMPs. 


Signed and dated. 


(sdunoaq au puvxaip hg) 


STTV AMA CRSNE WaHaNny) NAWASUO FT —Zp "ON 


RAPHAEL COLLIN 
Frencu: 1850—1916 


43--LE PRINTEMPS: L’ ANEMONE DES BOIS 
Height, 524% inches: width, 29 inches 


In the hazy atmosphere of a sheltered retreat in a young wood, 
shimmering in its spring greenery, a fair young woman with 
auburn hair stands nude; figure to front, her head poised over 
her left shoulder, and her face seen almost in profile. In her 
arms, crossed against her breast, she holds a freshly gathered 

quantity of delicate spring flowers. | 


Signed lower right, R. CoLiin, 85. 


Purchased direct from the Artist, 1897. 


FRITS THAULOW... 
NorweEcian: 1847—1906 
44—WINTER 
(Pastel) 
Height, 231% inches; length, 31 imches 


Deep snow covers the ground, burying some abandoned wagon 
gear to the wheel hubs, and lies heavy on the roof of pinkish and 
red buildings on the right. A man attends a horse plodding 
along with a sleigh, and another man is beside a standing team. 


Signed lower left, Frrrs ‘THavLow. 


SCHOOL OF HENDRIK DE BLES 
Fremisr: 1480—1550 


45—HOLY FAMILY 

Height, 2334 inches; width, 1814 inches 
In the center the Madonna, with golden nimbus, seated under 
a palm tree and facing the right, three-quarters front; in her 
lap the Child; back of her, on the right, Joseph standing at.a 
trough; landscape background with buildings, hills and a 
stream. 


On back is a memorandum recording the transfer of the picture 
from an oak panel in 1857. 


LUCAS VAN UDEN 
Fremisu: 1595—1673 


AND 


DAVID TENIERS THE YOUNGER 
FrLemisu: 1610—1690 


46—LANDSCAPE AND FIGURES 
(Panel) 
Height, 13°4 inches; length, 22 inches 


TypicaL green landscape of the Low Countries, in mellow 
sunshine, running far back into the distance; a transverse 
stream near the foreground, and before it some laborers (by 


Teniers) engaging in some late season tasks. 


Signed. in lower center. 


PHILIPS WOUWERMAN 
Dutcu: 1619—1668 


47—LHIVER EN HOLLANDE 
(Panel) 


Height, 20 inches; length, 27 inches 


AT the center, thatched-roof cottages, on the farther bank of 
a frozen canal; before them, and at right and left, numerous 
people out for enjoyment in sleds and horse-drawn sleighs. 


Signed at the lower right with initials on boat, and dated. 


From Count Gavet, Paris, 1902. 


DAVID TENIERS THE YOUNGER 
FLEMISH: 1610—1690 


48—F ETE VILLAGEOISE 


Height, 22% inches; length, 314 inches 


Ar left and right in the background the buildings and spires 
of a Dutch village; in the intervening space green trees, on a 
mound in front of one of them in the middle distance a man 
playing music to which a couple in the foreground are danc- 
ing. All about the dancers, in the sunshine, are merrymaking 
villagers in bright colors, seated and standing, eating and 
drinking, some with amorous inclinations. 


From Emile Gavet, Paris, 1902. 


DAVID TENIERS THE ELDER 
Fremisu: 1582—1649 


49—VIATICUM 
(Panel) 


Height, 22 inches; length, 3414 inches 


AT right in the distance a small country church, a few trees 
near it, and some cottages. Down a path from the direction 
of the church comes a solemn procession, headed toward one 
of a number of buildings of soft rose hue, with stepped gables, 
in the foreground at left. Boys lead, followed by a church- 
man with a bell and lantern, and these by four men bearing a 
canopy under which walks the priest, carrying before him the 
ciborium. Follows an aged gentleman in deep dejection, 
walking alone, and after him half a dozen of his friends walk- 
ing solemnly in pairs, all with doffed hats, as they follow 
the Eucharist. 


FRANS FRANCKEN THE YOUNGER 
(CatLteEp Don Francisco) 
Dutcn: 1581—1642 


50—BELSHAZZAR’S FEAST 
(Panel) 
Height, 24 inches; length, 33 inches 


In an enormous banquetting hall a large company of gentle- 
men and ladies—the lords, the princes, and their wives—in 
brilliant costumes are seated at a long table laid for a feast, 
the king under a red canopy at left; servitors and others stand- 
ing around; at upper right a finger pointing at the writing 
on the wall. 


Signed at the lower left, D. J. F. Francxen, underneath 
a double eagle. 


From the Collection of Madame L. Camille Lelong, Paris, 1900. 


SCHOOL OF WILLEM VAN DE VELDE 


51_MARINE 
Height, 27 inches; length, 39 inches 


Ar right in the foreground a short point of land and a sort 
of jetty, with two men looking off and a third man walking 
toward a fore-and-after lying at the farther side of the jetty. 
In the offing a warship and a fishing fleet, in the distance, and 
at left other vessels, including a warship lying athwart the 
view, with head toward the jetty. Over the gently ruffled 
waters of the harbor a bright sky, active with great grayish 
cloud billows. | 


SCHOOL OF PETER PAUL RUBENS 
Friemiso: 1577—1640 


52—M AGDALENE 
(Panel) 


, 


Height, 184% inches; width, 12 inches 


FULL-LENGTH figure of a woman, nude, the crimson mantle 
on which she is seated drawn over her thighs, sitting on a rock 
under a tree, tears of contrition in her upturned eyes; she 
faces front and the left, one foot on a skull about which a 
serpent twines, and near it is an open book. 


From the Godfroy von Preyer Collection, Vienna. 


TIZIANO VECELLI (TITIAN) 
Irarian: 1477—1576 


583—DIANA AND HER NYMPHS AT THE BATH 
Height, 23 inches; length, 27 inches 


THE scene is a fountain within woodland, and Diana and five 
of her attendant nymphs are surprised in their nude freedom 
by the arrival of Actewon, who approaches from the left. At 
right the goddess is seated, holding a bit of scant drapery; one 
of her nymphs dries her feet, another reclines on the edge of 
the fountain, and others, in various attitudes, are visible in 
light and in shadow. 


Bridgewater House Collection. 


Purchased from Sir George Donaldson, London, 1905. 


AFTER HENDRIK DE BLES 
Fremisu: 1480—1550 
54—TRIPTY CH 
Height, 28 inches; length (open), 46 inches 


CENTRAL panel, the Adoration of the Magi; right wing, Jo- 
seph and Mary on the Flight into Egypt; left wing, the 
Massacre of the Innocents. 


Purchased from Dowdeswell § Dowdeswell, London, 1901. 


SECOND EVENING'’S SALE 
TUESDAY, JANUARY 12, 1926, AT 8:15 P.M. 


Catalogue Numbers PyeeO fog 1iclusive 


SPECIAL NOTICE 
THESE PAINTINGS AFTER EXHIBITION AT 
No, 1 KAST 997H STREET 
WILL BE SOLD 
IN THE GRAND BALLROOM OF 
HOE IAA HO LEA 


FirtH Avenus, Firry-eicHtu To Firty-nintu STREET 


IGNACE HENRI JEAN THEODORE 
FANTIN-LATOUR 


Frencu: 1836—1905 


57—_-CARNATIONS 
Height, 1214 inches; width, 15 inches 


A BUNCH of carnations of a variety of colors stands in an 
ordinary glass tumbler full of water. The flowers are in a 
strong but diffused light, and are relieved against a myste- 
rious gray background. 


Signed lower left, Fant. 


Purchased from Alexander Blumenstiel Collection, 1906; Catalogue 
No. 157. 


PIERRE AUGUSTE BESNARD 
Frencu: 1849— 


58 THE CELLIST 
(Pastel) 


Height, 211% inches; width, 1414 inches 


Turer-quarters length portrait of a young gil, standing, 
figure to right and face turned three-quarters front, left arm 
supporting a cello and a bit of the music on a rack coming 
‘nto a view: her mass of loosely dressed reddish hair framing 
her features. 

B peers! Signed lower left, A. Besnarp. 


Exhibited at the Museum of Fine Arts, Boston. 
Purchased from Boussod, Valadon & Co.., Paris, 1898. 


JAMES ABBOTT McNEILL WHISTLER |. 
AmeERIcAN: 1834—1903 


59—LA MERE GERARD 
( Panel) 
Height, 91% inches; width, 7 inches 


FULL-LENGTH portrait of an aged woman of France, seated 


and facing the spectator; a flower seller, her lap laden with 
flowers. 


Palais de Ecole des Beaux Arts; Exposition des (uvres de James 
McNeill Whistler, Paris, Mai, 1905; Catalogue No. 2. 


Purchased from M. Knoedler & Company, New York. 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1817—1878 


60—PASTURE 
(Panel) 


Height, 91% inches; length, 1342 inches: 


In a clearing in an open wood a pool, appearing in the left 
foreground, with slender trees beyond it casting the shadows 
of their trunks on the water, and low trees with more dense 
foliage at left and right in the background. Coming down a 
path to the pool is a cow attended by a maiden. 


Signed lower right, Dausieny, 1858. 


a 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


61I—FIGURE IN A CLEARING 
(Panel) 


Height, 11 inches; length, 15 inches 


Ow the outskirts of a wood, mainly in dark shadow, as is 
the open foreground, a sunlight clearing appears in the middle 
distance. Dark puffs of cloud are in the sky, which then 
lightens to a gray-blue, and tall white billows rise above the 
horizon. Near the center of the foreground a lone figure is 
seen, facing the observer. 


EUGENE DELACROIX 
Frencu: 1798—-1863 


62—THE TOILET ae 
Height, 18 inches; width, 15 ieches 


FuLL-LenctTH figure of an amply proportioned woman, nude, 
standing before a mirror at her dressing table and about to 
arrange her wealth of golden hair; back of the mirror is ob- 
served the head of a grinning faun, his hand at a jewel box. 


Signed lower left, Evuc. DELAcRorx, 1850. 


Evhibited at the Salon, Paris, 1850; Catalogue No. 777. 
Purchased from M. Knoedler & Company, 1897. 


EUGENE DELACROIX 
Frencu: 1798—1803 


638—LEH GIAOUR 
Height, 1814 inches; width, 15 inches 
AL RIDER of large muscle and in a colorful costume comes for- 


ward from the left, mounted on a horse which is about to 


plunge into a stream. 3 | | 
Signed lower left, Kuc. Devacrorx, 1849. 


Robaut, 1849. 
Exhibited at the Salon, No. 1850. 
Purchased from M. Knoedler & Company, 1897. 


CONSTANT TROYON 


as a ~ 


Frencu: 1810-—1865 


64 CATTLE AND A GIRL 
Height, 101% inches; length, 1334 inches 


Botpiy and powerfully studied, with a masterful and expres- 
sive freedom, a red and white cow stands athwart the picture, 
in the foreground, before a landscape of trees and bush largely 
in shadow, a field at right catching a slant of sunshine in which 
the cow shares slightly. Following her comes toward the 
spectator a black cow with a white face. In the lead is a young 
peasant girl with red hair, wearing a greenish waist and dull- 
rose skirt; under her arm a bit of blue drapery. 


Signed lower left, C. TROYON. 


LEON AUGUSTIN LHERMITTE 


Fren CH: 1844— 


65—THE HARVEST FIELD 
(Pastel) 


Height, 13 inches; length, 171% inches 


A GOLDEN wheatfield fills most of the picture; in the fore- 
ground two men and a woman reaping and binding; in the 
background a cottage and trees, and a hill crest against the sky. 


Signed lower left, L. LuHERMitTE. 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


66—IN THE DARK WOODS 
(Panel) 
Height, 124% inches; length, 16 inches 


Ix the dark woods, overhead and in the foreground, with a 
glimpse of sky low over the middle distance, where there is 
a clearing on which the sunshine glows with a golden light. 
Just before it a peasant woman is seen standing, and near the 
foreground at left another is stooping over the ground, before 
a streak of golden sunlight which strikes in from the left and 
glints on the trunks of neighboring trees. 


Signed lower left, N. Draz. 


(uad »] ap zm apbir, asnouvy hg) 
SGOO\A WUVG AHL NJ—9Q ‘oN 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


67—_FEMME ORIENTALE 
Height, 24 inches; width, 141% inches 


Fuit-Lencern standing figure of a lady facing front, her dog 
back of her, peering toward the left; she is in white, with a 
heavily embroidered crimson bodice, décolleté, and crimson 
overskirt. , 
Signed lower left, N. Diaz. 


Purchased from Boussod, Valadon & Co., New York, 1901. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu: 1807—1876 


68—_WHISPERS OF LOVE 
(Panel) 
Height, 1134 inches; width, 834 inches 


Just to right of the center of the panel the principal figure 
appears, a young lady in white décolleté gown with pink dra- 
pery and a rose at the corsage, facing the spectator. At her 
right a man leans toward her, whispering, and back of her 
stands a loving couple looking approvingly on. Woodland 
background. 

Signed, N. Diaz, and dated 1846. 


FRANCOIS BOUCHER 
Farnou: 1708-170 


69 PASTORAL 3 
(Gouache) 


Height, 15 inches; length, 19 inches 


BrsrpE a stream and at the edge of a wood are seated a shep- 
herdess and a goatherd, both barefooted; on her arm a basket 


of grapes, one of which she feeds to the lad. 


Purchased from Arthur Tooth & Son, of London and Paris. 


NARCISSE VIRGILE DIAZ DE LA PENA 
Pence 180%-_1876 


70—CHIENS GRIFFONS 


Height, 81 inches; length, 1234 inches 


In the depths of a forest the sun’s rays penetrate to a small 
cleared space and glint upon shimmering leaves and the silvery 
bark of beeches. Here a group of dogs are gathered, at left, 


among them a white dog, a tawny one, two with black and! 


white faces. 
Signed lower right, N. Dtaz. 


CONSTANT TROYON 
Frencu: 1810—1865 


T71—RED AND WHITE COW 
(Panel) 
Height, 10 inches; length, 14 inches 


Srupy of a red and white cow standing athwart the picture 
in the sunny foreground, before some pollarded trees at left; 
beyond her, another cow drinking at a stream at the right, and 
in the distance other cattle grazing. 


Signed lower left, C. Troyon. 


(woho1y, quojsuo) hg) 
MO) ALIHAA GONV GIY—TLL ‘ON 


JEAN BAPTISTE CAMILLE COROT 
Frencu: 1796—1875 


72—COWS IN FIELD AND POOL 
Height, 1434 inches; length, 1734 inches 


FresH green meadows are penetrated by a stream; in the back- 
eround slightly higher land at right, and low woods at left. 
Near the center of the picture a pollard and a few short trees, 
near the pool in which a few cattle are standing, a woman on 
the bank watching them. 

Signed lower left, Conor. 


Recorded in Robaut’s “Corot,” Vol. III, No. 1788. 
Collection of Pierre Leenhardt, Paris, 1922, Catalogue No. 14. 
Purchased from M. Knoedler & Company, New York. 


4010) aypung aysudvg wnap fig) 


ToOg GNV CIA NI SMOD—Z), ‘ON 


JULES DUPRE 
Frencu: 1811—1889 


"83—LANDSCAPE 
Height, 121, inches; length, 1914 inches 


A srream which winds through rich meadows broadens out 
across the foreground, where it is bordered by wild flowers, 
rushes and reeds. In a small meadow on the right three cows 
are feeding and the principal object in the composition is a 
clump of lofty trees in the middle distance, beyond which is 
a passage of strong sunlight on the level pasture. Great 
masses of vapor, here and there flecked by sunlight, cover the 
sky, leaving only a few spots of blue visible. 


Signed at the lower right, Jurys Dupre. 


From the Estate of the late Isaac T. Frost, New York, 1907; Cata- 
logue No. 136. 3 


THEODORE ROUSSEAU 


Frencu: 1812—1867 


74—LANDSCAPE 


Height, 17 inches; length, 26 inches 


A srrercu of more or less level land appears in the sunshine 
under a sky of light clouds, the surface of the earth a mass of 
irregular knobs of wild floral vegetation intermingled with 
erayish rocks. Through this leads a winding path, in which 
a figure is seen, and in the middle distance and beyond the 
figure, the field is cut by a line of short trees of irregular 


growth. 


Signed lower right, Tu. RoussEa 


CHARLES FRANCOIS DAUBIGNY 
Frencu: 1807—1878 
75—LANDSCAPE 
(Panel) 
Height, 121 inches; length, 22% inches 


Marsuy meadow land, deep green, with colorful flowers and 
rocks, and in the foreground cattle drinking; higher land, with 
color, at right, and toward the center a few young trees. 


Signed lower right, Davnicny, with date. 


(hubiqnog siosuvig sajsvyg hg) 


Ad VOSdNW]—G), ‘ON 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 


76—LA SEINE 
(Panel) 


Height, 1234 inches; length, 2214 inches 


Iw the foreground a bend of the river crosses the picture, and 
the shadows of the farther bank are projected forward on the 
water. Up the bank at left in the middle distance creamy 
cottages with thatch roofs are seen, and before them are some 
cows, one of them drinking at the edge of the river. 


(hubiqnog siosuvsg sazinyg kg) 
ANIGG WYI—9), ‘ON 


THEODORE ROUSSEAU 
Frencu: 1812—1867 


7—_FEEDING THE DUCKS 
(Panel) 
Height, 124% inches; length, 224% inches 


Ar left in middle distance a cottage among trees; the light of 
the setting sun across the landscape; near the cottage a woman 
leans over a gate to feed some ducks that gather to her. In 
the foreground a pond. 


Signed lower right, Tu. Rousseau. 


Collection of Baron Jules de Haupe. 


(nvassnoy aLopozy,y, hg) 


sHOng HL ONIGaa|Y—)), ‘ON 


CHARLES FRANCOIS DAUBIGNY 


Frexcu: 1817—1878 


78—BORDS DE RIVIERE 
Height, 121% inches; length, 23% inches 


Ts11s is an intimate corner of a fertile country, where a broad 
pool fringed with trees reflects a summer-morning sky. On 
the left a peasant woman is washing clothes at the water's edge, 
and another is standing nearby on the gently sloping grassy 
bank, holding a red cow. 

Signed at the left, Davpsicny, 1869. 


Purchased from the D. C. Lyall Collection, New York, 1903; Cata- 
logue No. 53. 


(hubiqnvg siosunsy sajsvyg fg) 


GUAIAIY Ad sawog—sy, ‘ON 


CHARLES FRANCOIS DAUBIGN Y 
Frencu: 1817—1878 


79—RIVERSIDE HAMLET 
Height, 18 inches; length, 32 inches 


Ow the left in middle distance a hamlet of cottages and two 
windmills; lingering light in a clouded sky throwing their 
shadows forward on a sluggish stream, into which from a 
marshy foreground some ducks are swimming. 


Signed lower left (double signature), Dausicny, 1872. 


(fubiqnog siodsunsy saysvyg hg) 


LATWV FL adIsudAly—g6) "ON 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frencu: 1807—1876 


80—LA CLAIRIERE 
Height, 2014 inches; length, 274 inches 


Axovt a pond in the central foreground, with engaging re- 
flections of an active sky, and a kneeling woman bending over 
a point, the glade is green and of irregular surface, and in 
the distance are groups of green trees. 


Signed lower left, N. Diaz, *54. 


Purchased from Boussod, Valadon & Co., Paris, 1899. 


(vuag v] ap zmq apbr4 assvivN hg) 
AUAIUIVIY VYT—OS ‘ON 


NARCISSE VIRGILE DIAZ DE LA PENA 


Frexcu: 1807—1876 


81 LANDSCAPE WITH FIGURE 
Height, 21 inches; length, 31 inches 


Woops and a stream, the stream winding through the center 
ground of the picture, beyond an open foreground, the foliage 
of the trees in sunshine and showing tan and yellowish colors 
among the green; at right a peasant woman bending over to 
bundle fagots. 


Signed lower left, N. Draz, *54. 


(vuag 0] ap zpiq apbsrA as8sio1DN hq) 


GuUnolLy HLM Aad VOSGNVJ—T[8 "ON 


LEON AUGUSTIN LHERMITTE 
Frencu: 1844— 


82-LAVEUSES DE LA FERME 
(Pastel) 


Height, 274% inches; length, 33 inches 


Art right the corner of a mill beside its stream, and at left 
dense trees. In middle distance, at the edge of the stream, 
women leaning over the water and beating the clothes. T'wo 
idie women waiting. 


Signed lower left, L. LuErmirre, 1905. 


No. 82—LaveusEs DE LA FERME 


tte ) 


ermt 


(By Léon Augustin Lh 


JULES DUPRE 


Frencu: 1811—1889 


8838—LANDSCAPE 
Height, 2914 inches; length, 874 inches 


Tur sky filled with shower clouds, breaking away to right and 
left, and the sunlight coming through from the center and re- 
flecting from a stream straight before the eyes; scattered trees 
at either side, and on the right, some cattle coming down to 
the water to drink. 


Signed at the lower right, Jutes Dupre. 


(gudnq sane hg) 


TAVOSANWI—E8 ‘ON 


FELIX ZIEM 


Frencyu: 1821—1911 


84-V ENICE 
Height, 27% inches; length, 42 inches 


Tnx eye looks directly toward the Molo and the Ducal Pal- 
ace, the Priggioni and its neighboring buildings on the right, 
and on the left the Piazzetta and the Campanile, and in front 
of the nearer buildings various sailing craft and a gondola con- 
taining many people; to right other craft with a large sailing 
vessel. 

Signed lower left, ZiEM. 


(waz xyog hg) 
HOIND A—FS “ON 


EMILE VAN MARCKE 


Frencu: 1827—1890 


85—_COWS IN THE VALLEY 
Height, 238°4 inches; length, 3851 inches 


On a bright sunny day with white clouds in the sky, a white 
cow followed by a red one comes along through a rolling field 
from a farmhouse which stands in the background, among 
some trees. After the cows comes a little shepherdess with her 
dogs, accompanying two sheep. 


Signed lower right, Em. Van MarckeE. 


(ayy ung apg Kg) 
AHTIVA AHL NI SMOD—GS ‘ON 


LEON AUGUSTIN LHERMITTE 


Frencu: 1844— 


86—_MIDDAY REPOSE 
Height, 29% inches; length, 37 inches 


Screnr, a ripe wheatfield partly reaped, a couple of poppies at 
right, adjoining a cottage half buried in greenery; distant 
hills. In the foreground a girl standing, holding her scythe, 
which rests on its handle, and gazing down at a young man who 
has thrown himself on the ground and slumbers in exhaustion 
with his head on a bundle of sheaves, another girl seated be- 
vond him. 

Signed lower left, L. LaerMirre. 


Direct from the Artist. 


Purchased from M. Knoedler & Company, New York, 1896. 


(aqpousayyT uysnbnp uoaT fg) 


ASOdaY AVACIPY—98 “ON 


LEON AUGUSTIN LHERMITTE 
Frencu: 1844— 


87—_LA FANAISON 
Height, 29 inches; length, 387 inches 


Men and women haymakers are busy in a French field raking 
and tossing hay. In the foreground four are gathered at a 
pile that stands in the sunshine which floods the field, yet its 
nearer side is shadowed and the workers appear in an interest- 
ing play of lights and shadows as they ply their implements. 
In the background are other peasants at work, and a consider- 
able clump of trees at the border of the field. 


Signed lower left, L. LHERMitTTE. 


Purchased in 1897. 


(aj;muiayT wysnbnp uoyT fig) 
NOSIVNV,T VI—L8 “ON 


EMILE VAN MARCKE 


Frencu: 1827—1890 


88 COWS IN THE VALLEY, TOUCQUES 
Height, 24 inches; length, 3914 wmches 


A coMPLETE and fine example of the well-known painter, who 
has here composed an agreeable arrangement of animals and 
a summer landscape. A white cow in profile is in the fore- 
ground, half in sunlight; behind her is a black one, while to the 
left a red cow is lying down near a pool of water. Other cattle 
are vaguely seen in the distance, also a plain and a hillside n 
tender purples. A white building is nearly obscured by some 
trees, and there is a sense of the rich, heavy summer greens, 
cool shadows and the quiet of pasture lands. 


Signed at the left, Em. Van Marcke. 


From the William H. Stewart Collection, New York, 1898; Catalogue 
No. 122. 


(ayouvyy UDA IPL fig) 


SHADONOT, ‘ATTIIVA AHL NI SMOQ—88 “ON 


FELIX ZIEM 


Frencu: 1825—1911 


s9_THE GRAND CANAL, VENICE 
Height, 27 inches; length, 45 inches 


Ture Grand Canal is viewed from the canal of the Giudecca. 
On the farther shore the line of buildings, including the Doge’s 
Palace and the square of St. Mark, rises against the sky, which 
is warmed by the tender colors of sunset. 


Signed at the lower left, ZizM. 


Purchased from M. Knoedler & Company Sale, 1893; Catalogue No. 
381. 


(waz wat hg) 


GOINDA “IVNVQ ONVUX) FHT—68 ON 


JULES ADOLPHE BRETON 


Frencu: 1827—1906 


90—LE GOUTER 

Height, 29%4 inches; length, 48 inches 
Harvest hands in French fields, where women labor freely, 
have paused in their work for lunch. Three of the women are 
about a small fire, one young one prone, with her head raised 


looking toward the observer, one seated back to the spectator, 
and an older one bending over the fire. Near them stands a 


Jug. 

Signed lower right, Jutes Breton. 
Engraved by Le Conteua. 
Exhibited at the Paris Salon, 1886; Catalogue No. 342. 
From the James A. Garland Sale, London, 1919; Catalogue No. 44. 
Exhibited at the Metropolitan Museum of Art, New York. 
Purchased from M. Knoedler & Company, New York, 1909. 


(wozarg aydjopy sane fig) 
waLAOY) A’T—06 “ON 


JULES ADOLPHE BRETON 


Frencu: 1827-—1906 


91I—HARVESTING THE POPPIES 


Height, 35 inches; length, 58 inches 


Tuer poppy heads are full and ripe, and a large party of peas- - 
ants is engaged in reaping a broad field covered with a rankly 
- growing crop of these flowers, cutting the thick stalks close to 
-the ground and gathering them into sheaves. In the fore- 
ground a peasant man and woman are stacking the tall 
sheaves together, a girl on the left is binding the stalks into 
bundles, while on the right a companion stoops to gather them 
up. It is near the close of a long summer day, and the land- 
scape is glowing with the warm light of the settmg sun. Be- 
yond the busy group of harvesters a rich flat farming country 
stretches away to the distance, where a lofty wind-mill breaks 
the simple horizon line, and above it, to the left, a slightly 
gibbous moon floats in the warm haze of late afternoon. 


Signed at the lower left, Jutzs Breton, 1896. 


Collection of the late F. C. Matthiessen, New York, 1902; Catalogue 
No. 122. 


From the E. A. Matthiessen Collection, New York, 1907; Catalogue 
No. 165. 


(uojasgy aydjopy sane fg) 


SHIdd0 J FHL ONILSTAUVE{—-16 “ON 


JULES ADOLPHE BRETON 


Frencu: 1827—1906 


92 LA FIN DU TRAVAIL 


Height, 29 inches; length, 47 inches 


Tug season of late summer, when the earth is carpeted with 
lush vegetation and when, at sunset, a delicate warm glow 
bathes the whole landscape, has often impressed this artist, 
who with brush, and also with pen in verse, has rendered the 
charm of the hour and the idyllic side of peasant life. The 
incidents in this picture are in their favorite setting. Ona 
wide area of cultivated fields, over which steals the first twi- 
light shadow, a number of peasant women are finishing their 
day’s task. A warm glow of reflected light from the sun below 
the horizon embraces the whole landscape, softens the sharp 
crescent of the new moon, and the brillianey of the light of 
the evening star. Near the middle of the picture, toward the 
left, and seen partly against the sky and partly against the 
wide extent of the field, two women are filling a sack with 
green fodder, and beside them, a little girl with jug and sickle 
is signalling to a distant comrade who, following her mates, is 
about to turn homeward where the distant village spire is seen 
among the trees. 

Signed at the right, Jutes Breton, 1887. 


From the David C. Lyall Collection, New York; Catalogue No. 95. 


(wojaig aydjopy sane hg) 
TIVAVEYT, 20 NI VI—ZG “ON 


CHARLES FRANCOIS DAUBIGNY 


Frencu: 1817—1878 


93—MORNING ON THE OISE 


Height, 32 inches; length, 56 inches 


In the lush green foreground peasant laundresses with backs 
to the spectator lean over the river, busily engaged at their 
work. Back of them, at left, flowers grow thickly, and in 
the middle distance are grassy fields along the river. Out in 
the stream is a boat, and beyond the sunny fields are wooded 


hills. 


Signed lower right, Daunicny, 1866. 

The Official Handbook of the Louisiana Purchase Exposition, St. 
Louis, 1904, speaks of “three exceptionally fine examples of Daubigny’s 
work,” of which this was one, in the United States Loan Section. 


Painted in 1866 and exhibited in the Salon of that year, it “always has 
been considered one of the painter’s most important productions.” 


Formerly in the Collection of J. E. Birges Warren, Philadelphia. 
Purchased from the Howard Young Gallery, New York. 


(fubsqnog siosuvag sajinyg hg 
IsIQ FHL NO ONINUOJY—G “ON 


HENRI HARPIGNIES 


Frencu: 1819—1916 


94-FIN D?UNE JOURNEE: 
SOUVENIR D’HERISSON 


Height, 4615 inches; length, 5912 inches 


Ar left robust trees and at right two detached trees, at either 
side of a green foreground bordering a sunlit stream, with a 
wooded background beyond which agricultural hills are seen 
under the afternoon sunlit sky, in which the crescent moon 
appears high at the left. 

Signed lower left, H. Harpienss, ’99. 


Salon of 1899: direct from the Artist. 
Purchased from M. Knoedler & Company, New York, 1901. 


(saubidunyy wuay fg) 


aH d WINAANOS CAN UO? AND a NI—t6 "ON 


OLD ENGLISH PAINTINGS 


SIR DAVID WILKIE 
EncusH: 1785—1841 


95—INTERIOR OF A STUDIO 
Height, 26 inches; length, 33 inches 


Iw a studio the painter, bald, with heavy locks at the back of 
his head, sits with back to the observer and facing three-quar- 
ters to the right, working at a canvas on his easel; light from 
a casement window on the left falls upon his canvas, upon 
an arrangement for still life on a table beyond it, and upon a 
group of figures including a young mother bending over an 
infant, and an older woman and a young man. 


Purchased from Godfrey Kopp, London, 1901. 


SIR THOMAS LAWRENCH, P.R.A. 


Encutsu: 1769—1830 


96—PORTRAIT OF A GIRL 
Height, 28 inches; width, 23 inches 


Porrrarr of a young lady with dark curls and ringlets glist- 
ening in the light, her face observed but little more than in 
profile as her head is turned across her left shoulder; figure to 
front, observed nearly at half-length; shoulders bare, a white 
sleeveless garment showing slightly above a dark cloak which 
enwraps her. 


SIR WILLIAM BEECHEY 


EncusH: 1753—1889 


97—-ELIZABETH, DAUGHTER OF 
| WHITSTED KEENE, ESQ., M. P. 
AFTERWARDS MRS. WEY LAND 


Height, 29 inches; width, 24 inches 


THREE-QUARTERS length portrait of a young woman who 
seems little more than a girl, seated and facing the right, three- 
quarters front. She is clad in a creamy white gown, low cut, 
with a white lace ruffled edging, broad and outstanding, about 
the low corsage. Blue sash. 


Purchased from M. Knoedler & Company, New York. 


No. 97—EuizasetH, DavcHTer oF WuitsteED KEENE, Ese., M.P., 
Arrerwarps Mrs. WryYLAND 


(By Sir William Beechey) 


GEORGE ROMNEY 


EncusH: 1734—1802 


98 COUNTESS OF CLARE 


Daughter of Richard Chapel Whaley, sister of the celebrated 
“Buck” Whaley, who married John Fitzgibbon, First Earl of 
Clare, Lord Chancellor of Ireland 1789-1802, who was in- 


strumental in carying the Union. 
Height, 50 inches; width, 40 inches 


Trree-quarters length portrait of Anne, Countess of Clare, 
to left, face turned three-quarters front. In black, décolleté, 
with lace at breast; right hand raised to chin, left hand holding 
a book in her lap. She regards the spectator. 


From Mount Shannon, Co. Limerick. 


Purchased from James Orrock, London, 1901. 


No. 98—CountTEss OF CLARE 


(By George Romney) 


JOHN CONSTABLE 


EncusH: 1776—1837 


99 —FLATFORD MILLS, SUFFOLK 
Height, 26 inches; length, 361 inches 


Wuiute clouds billowing above the horizon in a darkening 
sky cause the shadows of trees to be reflected on a stream in 
the center of the picture, and bare spots of earth in the fore- 
eround are touched with light, among the dark green grass of 
their surroundings. Other trees in the middle distance, on the 
right, are observed against the light, and on the left are build- 
ings of reddish-brown hue. In front of them is a large boat, 
drawn up against the bank, with figures observable, and an- 
other figure is detected near a tree on the shore. 


International Exhibition, 1862; Catalogue No. 126. 


Exhibited by R. Newsham, Esq., London, 


(a]qnjsuo) uyor hg) : 


MIOMING ‘STII CUOLLV1A—66G “ON 


JOHN CROME (OLD CROME) 


EnauisH: 1769—1821 


100—COMING FROM THE MILL 
Height, 40 inches; width, 32 inches 


A PARTICULARLY fine canvas by Crome, depicting a broad and 
steep hillside landscape, the rounded hills mounting toward the 
right, on one of them near the central distance a substantial 
house, and winding down a road on the right a covered cart 
drawn by two plodding horses tandem. At the foot of the 
hills, in the foreground, two men working near a sluiceway. 
Sundry trees dot the picture; the whole in a soft, mellow 
light. 


From Thomas Agnew & Sons, London. 
Purchased from M. Knoedler & Company, New York. 


No. 100—Comine FRoM THE MILL 


(By John (Old) Crome) 


THOMAS GAINSBOROUGH 


EncusyH: 1727—1788 


101—LANDSCAPE AND FIGURE 
Height, 40 inches; length, 50 inches 


‘A LANDSCAPE richly wooded; trees at left in and near the fore- 
ground; in an informal path or road in front of them a young 
man is walking forward, holding his hat at the back of his 
head and turning his face to his left; a slant of sunshine com- 
ing through trees on the right illumines him, and on its way 
throws into prominence animals on a distant slope and the 
tower of a church rising above dense green trees in the lower 
distance. 


Signed at the lower right, THomas GAINSBOROUGH. 
From the collection of the Earl of Dudley. 


Purchased from Arthur Tooth & Son, New York, 1901. 


(ybnosoqsmpy snwoyy, hg) 


GUNOLy GNV ad VOSANW’[—[O[ “ON 


THOMAS GAINSBOROUGH 


EncusHu: 1727—1788 


102_-THE COVERED WAGON 
Height, 38 inches; length, 51 inches 


In the foreground on the left a tree leans to the right, toward 
a bunch of other trees which stands at the right, before a sky 
lighted with a yellowish light. In the center of the middle 
distance a covered wagon drawn by four horses proceeds to the 
right slightly forward, about to descend an incline, a mounted 
man at the rear accompanying It. 


Signed at the lower right, GAINSBOROUGH, Pinx.. 787 


(ybnosoqsuwy snwoyy hg) 
NODVAA GHULAOD AHT—ZOL “ON 


THOMAS GAINSBOROUGH 


Encusu: 1727—1788 


108--LANDSCAPE AND CATTLE 
WITH FIGURES 


Height, 35 inches ; length, 44 inches 


Forrsr background with glimpses through to fields and sky; 
in an open foreground in sunlight cows, sheep and goats, 
watched over by a standing shepherdess; in the left fore- 
ground a group of maidens and some playful dogs. 


(ybnosoqsuvy spwoyy, kg) 


Sunol HLIM AILLVY) GNV Ad VOSGNW]T—GO[ ‘ON 


LIST OF ARTISTS REPRESENTED AND 
THEIR WORKS 


CATALOGUE 
NUMBER 
BEECHEY, Sir WILLIAM 
Elizabeth, Daughter of Whitsted Keene, Esq., 
M.P., afterwards Mrs. Weyland 97 
BIERSTADT, ALBERT 
Deer Woods near Lake Oneida 39 
BLES, Henoprik pe (4fter) 
Triptych 54. 
BLES, Henprik pE (School of) 
Holy Family 45 
BENLLIURE, Jost y Git 
House in Naples 1 
Christmas Eve, Church of Almeria, Spain Al 
BESNARD, Pierre AUGUSTE 
L’ Abreuvoir 24 
The Cellist 58 
BONNAT, Lrton 
A Little Roman Girl 15 
BOUCHER, Francois 
Pastoral 69 
BRETON, Jutes ADOLPHE 
Le Gotter 90 
Harvesting the Poppies 91 


La Fin du Travail 92 


COLLIN, RaprHakEL 
At the Window: Portrait 
Seated Nude 
Le Printemps: l’Anémone des Bois 


CONSTABLE, JouHn 
Flatford Mills, Suffolk 


COROT, Jean BaptisTE CAMILLE 
Cows in Field and Pool 


CROME (OLD CROME), JoHNn 
Coming from the Mill 


COUTURE, ‘THoMAS 


Garden Scene 


DAUBIGNY, Cuaries FRANCOIS 
Solitude, with Neighbors 
Pasture 
Landscape 
La Seine 
Bords de Riviere 
Riverside Hamlet 
Morning on the Oise 


DECAMPS, ALEXANDRE GABRIEL 


Classical Scenery 
Horsemen under the Walls 


DELACROIX, EucENE 


The Toilet 
Le Giaour 


CATAI.OGUE 
NUMBER 


28 
36 
43 


99 


72 


100 


35 


CATALOGUE 
NUMBER 


DIAZ DE LA PENA, Narcisse Vircite 


Landscape 12 
The Dog Fight 14 
Nature morte 18 
Figure in a Clearing 61 
In the Dark Woods 66 
Femme orientale 67 
Whispers of Love 68 
Chiens griffons 70 
La Clairiere 80 
Landscape with Figure 81 


DUPRE, Jutezs 


Cattle Drinking 11 
Landscape 73 
Landscape 83 


DUPRE, J ULIEN 
The Milkmaid 21 


FANTIN-LATOUR, Icnact Henri Jean THEODORE 
Carnations 57 


FRANCKEN THE YOUNGER, Frans 
Belshazzar’s Teast 50 


FOSTER, BirKxet 
Haying Time 9 


FROMENTIN, Evcrne 


Review 20 
Landscape and Horses 34 


GAINSBOROUGH, Tuomas 


Landscape and Figure 
The Covered Wagon 
Landscape and Cattle, with Figures 


HAAG, JEAN P. 
The Little Protége 


HARPIGNIES, Henri 


Fin dune Journée: Souvenir d’ Hérisson 


INNESS, Georce, N.A. 


Autumn Landscape 


JACQUE, CHaRrLEs EMILE 
Sheep near Woods 


JONGKIND, BartHo.rp 
Skating 


KEITH, Witiiam 
The Majesty of the Oaks 


LAWRENCE, Sir Tuomas, P.R.A. 
Portrait of a Girl 


LE GRAND, Louis 


La jeune Danseuse 


LEPINE, S. V. E. 


View of Paris 


CATALOGUE 
NUMBER 


101 
102 
1038 


40 


94 


27 


13 


38 


96 


10 


29 


LHERMITTE, Lton Avcustin 
Nuremberg Open Market 
The Harvest Field 
Laveuses de la Ferme 
Midday Repose 


La Fanaison 


MADRAZO, Raimunpdo DE 
The Pet Parrot 


MAUVE, ANTON 
The Avenue 


MURPHY, J. Francis, N.A. 
On the Lowlands 


PERRER, M. 
Ungarischer Market: Banat 
Outside the Tents 


RAFFAELLI, Jean FRANCOIS 
Street in Neuilly 


ROMNEY, GerorGE 


Countess of Clare 


ROUSSEAU, TuHropore 
Ploughing 
Landscape 
Feeding the Ducks 


ROY BET, FERDINAND 
The Drinker 


CATALOGUE 
NUMBER 


17 


23 


26 


32 


98 


16 
TA 
aa 


37 


RUBENS, Perer Pavut (School of) 
Magdalene 


TASSAERT, OcTAvE 


Bacchante et Amours: Automne 


TENIERS THE ELDER, Davin 


Viaticum 


TENIERS THE YOUNGER, Davin 


Landscape and Figures (In collaboration) 
Féte villageoise 


THAULOW, Frits 


River Reflections 
Toward His Cottage Home 
Winter 


TITIAN (Tiz1ano VECELL1) 
Diana and Her Nymphs at the Bath 


TROYON, ConsTANT 
Landscape and Figures 
Landscape 
Cattle and a Girl 
Red and White Cow 


TURNER, JosErH Matiorp WILLIAM, N.A. 
Dover: Busy Port 


VAN DE VELDE, Wurm (School of) 


Marine 


CATALOGUE 
NUMBER 


52 


19 


49 


46 
48 


30 
31 
44 


53 


51 


CATALOGUE 
NUMBER 
VAN MARCKE, Emre 


Cows in the Valley 85 
Cows in the Valley, Toucques 88 


VAN UDEN, Lucas 
Landscape and Figures (In collaboration) 46 


WHISTLER, James Azsporr McNEILL 
La Mere Gérard 59 


WILKIE, Str Davin 


Interior of a Studio 95 


WOUWERMAN, Putiirs 
L’ Hiver en Hollande 47 


WYANT, ALEXANDER, N.A. 


Summer Landscape 25 


ZIEM, Frirx 
Venice 84 
The Grand Canal, Venice 89 


\ 


~ 


COMPOSITION, PRESSWORK 


AND BINDING BY 


